Tag Archives: Universal Design

Call for papers on Inclusive Experiences in Exhibition Design. Deadline: April 13, 2015

The journal Exhibitionist invites proposals for its spring 2015 issue, Creating an Inclusive Experience: Exhibitions & Universal Design.
Proposals of 250 words maximum are due by April 13, 2015.

You can find the Call for Papers at: http://name-aam.org/about/news

Call for Papers Fall 2015 Exhibitionist

DATELINE: February 20, 2015

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Creating an Inclusive Experience: Exhibitions and Universal Design

Proposals due April 13, 2015

In 2015, we celebrate the 25th anniversary of the American With Disabilities Act (ADA). To mark this milestone,Exhibitionist takes on the topic of “Universal Design.” While Universal Design evolved from Accessible Design—and uses accessibility as a starting point—it goes further. It recognizes that human abilities are wide-ranging, and that all of us, if we live out a typical lifespan, will experience some sort of functional limitation. For those involved with exhibitions, this means creating environments that are usable by everyone with the least amount of adaptation. It calls for creative and imaginative ways to engage the widest possible group of users.

For this issue, we seek proposals that focus on exhibitions as a whole—or on elements within an exhibition (such as media, technology, multisensory elements, label-writing, etc.)—that incorporate the principles of Universal Design.* The exhibitions (or installations) can be of any size, and take place in any of a variety of spaces: museums of all disciplines, historical sites, institutions that collect and display living collections, or other environments.

Proposals can also focus on broader institutional strategies for including Universal Design in exhibition making, or on teaching Universal Design to those who create exhibitions. Proposals might come from designers, curators, developers, writers, architects, educators, collection managers, or others who create and contribute to exhibitions. As much as possible, if a case study, research project, or student experience is submitted, the article should not focus on a single project or institution without raising questions or throwing light on larger issues that are widely applicable.

Submissions from colleagues and students around the world are welcome and encouraged.

Deadlines

Proposal due: April 13, 2015. 250 words maximum. Briefly describe your article; how it relates to the issue theme; and your background/qualifications for writing the article. Proposals will be vetted by our editorial advisory board, and you will be notified of acceptance or non-acceptance.

First draft due: June 12, 2015. 2,000 words maximum (approximately four single-spaced pages) with four to five high-resolution images, captions, and credits. Your article will be returned to you with comments and edits by theExhibitionist editorial advisors and editor.

Final article due: August 11, 2015

Please send all submissions via email to:
Ellen Snyder-Grenier (esnydergrenier at yahoo.com)
Editor, Exhibitionist, the journal of the National Association for Museum Exhibition (NAME)

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Multimodal Approaches to Learning Conference

Multimodal Approaches to Learning International Conference, October 26-28, 2012, at the Metropolitan Museum of Art in New York City.

Organized by Art Beyond Sight and The Metropolitan Museum of Art.

The conference addresses inclusive and multisensory learning environments and strategies, particularly in relation to the arts and museums. Our discussions will focus on experiences that involve sound, touch, movement, drama, olfactory and modes of proprioceptive learning. Multimodal learning and creative experiences are meaningful to all audiences including people with disabilities and people with different learning preferences.

Since 2005 this conference has become a forum for cross-disciplinary creative thinking and the exchange of ideas. We will continue to foster dialogue between such diverse disciplines as neuroscience, cognitive psychology, education, museum studies, disability and cultural studies, technology, architecture, product design, and media art. Conference participants and organizers aim to define a framework for engaging diverse audiences through multimodal experiences, and identify new trends and innovation in learning and museum practice.

The trademark of this conference has been its diverse cross-disciplinary audience that includes: Museum staff, art educators, teaching artists, special education teachers, therapists, new media artists, researchers, computer engineers and technology specialists, Universal Design advocates, architects, exhibit, and product designers, and graduate students.

Conference coordinator: Marie Clapot, 212 334 8723; aeb@artbeyondsight.org.

Important 2012 Links